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Use the online Service Request below to report broken or damaged street lights. This will include damage to the street light pole and base, the wires, the light fixture itself as well as the cabinet utility box. A first step is to consider the limitations for application, for which a consideration of language will be helpful. As the above discussion in Section 3 makes clear, light pollution is not simply a description of certain environmental impacts, but also an evaluation of the effects of nighttime lighting technologies and infrastructure. Light pollution is both a descriptive statement and a value judgment with normative implications—it categorizes certain uses and types of lighting as bad or wrong. Historically lighting often functioned as a form of safety and protection at night, but there has been a reversal. Now humans, animals, and the night sky require protection from artificial light. Importantly, articulating this shift in perspective via the notion of light as a pollutant adds a moral level to an otherwise technical discussion of illumination. But, in considering the creation of a moral space for deliberation, we should reflect on the implications of this label. Garrard (2004 Garrard, G. (2004). Ecocriticism. New York, NY: Routledge. [Google Scholar]), in assessing Rachel Carson’s iconic Silent Spring, notes that one of the book’s lasting achievements was expanding what was previously seen as a scientific issue (the usage of pesticides) into a social problem. By this, Garrard is referring to the categorization of pesticides as pollution. This is because ‘pollution’ does not name an actual thing, but rather provides an implicit normative claim that ‘too much of something is present in the environment, usually in the wrong place’ (2004 Garrard, G. (2004). Ecocriticism. New York, NY: Routledge. [Google Scholar], p. 6). Carson helped to reframe perspectives, allowing the usage of pesticides to be contested morally and politically. The same can be said of the concept of light pollution, generally considered: it breaks with the historical meanings and values associated with nighttime lighting, reframing discussions as a debate over how we ought to preserve and protect the night sky, as well as protect ourselves and ecosystems, from excess artificial light. This proposed solution to the light travel time problem has some similarities to some of the other solutions. Since the light is miraculously brought to the earth on Day Four, some may see a parallel to the light created in transit theory. However, the large difference is that with this new proposal, the light from distant objects actually left the distant objects that we see; in the light created in transit theory, the light that we see from very distant objects never was emitted by those objects. Some may see that this new proposal is similar to cdk, but there are at least two distinctions. First cdk follows a mathematically described decay; this new solution hypothesizes that light getting here was more of the stretching of space that commenced abruptly and ended abruptly. A second difference is that cdk relies upon physical mechanisms whereas this new proposal relies upon God’s miraculous intervention. One may see an even stronger parallel in this proposal to the white hole cosmology in that the white hole cosmology could provide the physical mechanism for the stretching to get starlight to earth. However, I wish to emphasize that I do not require a physical mechanism for this proposal. Lisle, J. 2010. Anisotropic synchrony convention—A solution to the distant starlight problem. Answers Research Journal 3:191–207. Retrieved from Inspection of the area surrounding Madrid reveals that the effects of light pollution caused by a single large conglomeration can be felt up to 100 km (62 mi) away from the center.[28] Global effects of light pollution are also made obvious. The entire area consisting of southern England, Netherlands, Belgium, west Germany, and northern France have a sky brightness of at least 2 to 4 times above normal (see above right). The only places in continental Europe where the sky can attain its natural darkness are in northern Scandinavia and in islands far from the continent. We can see the emergence of the concept of light pollution as—at least in part—a reactionary shift in perception to the widespread proliferation of electric illumination at night. A recent New York Times article quoted a behavioral ecologist as stating that we need to ‘start thinking of a photon as a potential pollutant’ (St. Fleur, 2016 St. Fleur, N. (2016, April 7). Illuminating the effects of light pollution. New York Times. Retrieved 7 April, 2016, from [Google Scholar]). To accept this re-framing is to begin seeing artificial nighttime lighting as spreading polluting photons into the atmosphere, the environment, and ourselves. Answers will likely take the form of either preservation or mitigation strategies—certainly not a bad approach, but it does draw attention to the importance of light pollution as a framework through which solutions can emerge. Regulations and strategies based on light pollution will necessarily focus on reducing the negative or adverse effects of nighttime lighting; on protecting those things or resources affected, and/or cutting out that 30% of lighting considered to be ‘wasted’ (Gallaway et al., 2010 Gallaway, T., Olsen, R., & Mitchell, D. (2010). The economics of global light pollution. Ecological Economics, 69, 658–665.10.1016/j.ecolecon.2009.10.003[Crossref], [Web of Science ®] [Google Scholar]). As a regulatory tool, this can be quite useful, and follows a similar strategy as attempts to regulate other pollutants. Regarding energy consumption, the past five or six years have seen a slow transformation from garish, peach-colored, high-pressure sodium vapor streetlights — which have long been recognized to be energy-inefficient — to light-emitting diode (LED) streetlights, which use solid-state technology to convert electricity into light.  Even more significantly, the word עָשָׂה (‘āśâ; “to do,” “to make”) is used specifically of the creation of the astronomical bodies in Genesis 1:16. The meaning of this verb is broader, semantically speaking, than בָּרָא, and may refer to acts of creative ingenuity by agents other than God. That being said, it is indisputably evident that עָשָׂה is commonly used to refer to the act of fashioning something out of already-existing material (for example, the creation of man in Genesis 1:26; cf. 2:7). Granted, such is not always the intended meaning, even with respect to the astronomical bodies (for example, compare Genesis 1:1 with 2 Kings 19:15; Isaiah 37:16; 66:22; Jeremiah 32:17). However, the use of עָשָׂה in the Day Four creation record apart from any contextual clues to suggest that it must bear the sense of creation out of nothing suggests that there is a distinct possibility that the making of the astronomical bodies was instead a matter of fashioning them from material previously created on Day One. Just as the description of the earth in Genesis 1:2 is of something unfinished that God returned over the next several days to shape and prepare, perhaps the matter that would become the astronomical bodies was created on Day One but was shaped on Day Four, whereupon God brought forth their light to the earth. The use of full cutoff fixtures help to reduce sky glow by preventing light from escaping above the horizontal. Full cutoff typically reduces the visibility of the lamp and reflector within a luminaire, so the effects of glare are also reduced. Campaigners also commonly argue that full cutoff fixtures are more efficient than other fixtures, since light that would otherwise have escaped into the atmosphere may instead be directed towards the ground. However, full cutoff fixtures may also trap more light in the fixture than other types of luminaires, corresponding to lower luminaire efficiency, suggesting a re-design of some luminaires may be necessary. The first monumental technical development in nighttime lighting came at the turn of the nineteenth century with gaslight. It was with the adoption and proliferation of public gaslight that the modern notion of the city at night began to emerge, and nights started to become definitively brighter. Gaslight was first demonstrated publically in 1807, in London, and over the next few decades it was quickly adopted across Europe and North America.33. For example, by 1823 London had nearly 40,000 gas lamps covering over 200 miles of streets (Ekirch, 2005 Ekirch, R. A. (2005). At day’s close: Night in times past. New York, NY: W. W. Norton & Company Inc. [Google Scholar]).View all notes Gaslight was seen as symbolic of modern progress; it reordered the chaos of nature into rational, scientific principles (Schivelbusch, 1988 Schivelbusch, W. (1988). Disenchanted night: The industrialization of light in the nineteenth century. (A. Davis, Trans.) London: University of California Press. [Google Scholar]). Turning night into day and lengthening the day were popular expressions of the time (Schivelbusch, 1988 Schivelbusch, W. (1988). Disenchanted night: The industrialization of light in the nineteenth century. (A. Davis, Trans.) London: University of California Press. [Google Scholar]), and with gaslight this became a technological possibility for the first time, not simply an ideal to strive for. People were shedding old habits and fears of the night, and increasingly staying out later for commercial and social reasons. Brox (2014 Brox, J. (2014). Out of the dark: A brief history of artificial light in outdoor spaces. In J. Meier, U. Hasenöhrl, K. Krause, & M. Pottharst (Eds.), Urban lighting, light pollution and society (pp. 13–29). New York, NY: Taylor & Francis. [Google Scholar]) notes that by the mid-nineteenth century a new word came into use: nightlife. VigRX Plus machoman vigrx Masculin Active VigRX Plus Masculin Active Peruanisches Maca VigRX Plus power up premium VigRX Plus