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Zoom in to click on street light icon on the map below then select the problem from the drop down list. We may need to check the street light location with you, so make sure your contact information is correct. A second important point is that by concentrating upon the very distant objects, the light travel time problem is not formulated properly, for the situation is far worse! Most treatments of the light travel time problem concentrate upon the question of how we can see objects more than 6,000 lt-yr away. Because most objects clearly visible to the naked eye are well within 6,000 lt-yr, they aren’t a problem in a recent creation. But while it is possible for us to see most of the naked eye stars and today, some millennia after the Creation Week, it would not have been possible for Adam to have seen any stars (other than the sun) for at least four years after his creation. The stars were made on Day Four, and Adam was made on Day Six. The nearest star after the sun is 4.3 lt-yr away, so Adam could not have seen even the closest star for more than four years, and then stars would have slowly winked in over the succeeding years. However, the stars could not have fulfilled their God ordained functions when Adam first saw them after Day Six. These functions include being used to mark seasons and the passage of time (we still do this today with the day, month, and year). The passage of the year and the seasons are reckoned by how the sun appears to move against the background stars as the earth orbits the sun. Absent these background stars, it would not be possible to determine the passage of the year and of the seasons. Therefore, to truly solve the light travel time problem, light from stars even a few light years away must have been visible only days after their creation (and it is likely that the light of all the astronomical objects reaching the earth today also reached the earth at this early time). Any realistic solution to the light travel time problem must explain how Adam could have seen any stars on the evening following Day Six. Once that issue is resolved, the light travel time problem for truly distant objects probably is solved as well. At any rate, we ought to properly formulate the light travel time problem in all discussions of this issue. The lights that we own have a code (such as ‘ABCD123’) on the side of the column which is used to identify the light. The code is similar to a house postcode and tells us where the light is located when faults are reported. Outdoor Area Light – An outdoor light, typically on private property, that is maintained by the electric company and leased to the customer. Report a street lighting issue Download and complete the attachment to street light application form (PDF, 339.5 KB). A first step is to consider the limitations for application, for which a consideration of language will be helpful. As the above discussion in Section 3 makes clear, light pollution is not simply a description of certain environmental impacts, but also an evaluation of the effects of nighttime lighting technologies and infrastructure. Light pollution is both a descriptive statement and a value judgment with normative implications—it categorizes certain uses and types of lighting as bad or wrong. Historically lighting often functioned as a form of safety and protection at night, but there has been a reversal. Now humans, animals, and the night sky require protection from artificial light. Importantly, articulating this shift in perspective via the notion of light as a pollutant adds a moral level to an otherwise technical discussion of illumination. But, in considering the creation of a moral space for deliberation, we should reflect on the implications of this label. Garrard (2004 Garrard, G. (2004). Ecocriticism. New York, NY: Routledge. [Google Scholar]), in assessing Rachel Carson’s iconic Silent Spring, notes that one of the book’s lasting achievements was expanding what was previously seen as a scientific issue (the usage of pesticides) into a social problem. By this, Garrard is referring to the categorization of pesticides as pollution. This is because ‘pollution’ does not name an actual thing, but rather provides an implicit normative claim that ‘too much of something is present in the environment, usually in the wrong place’ (2004 Garrard, G. (2004). Ecocriticism. New York, NY: Routledge. [Google Scholar], p. 6). Carson helped to reframe perspectives, allowing the usage of pesticides to be contested morally and politically. The same can be said of the concept of light pollution, generally considered: it breaks with the historical meanings and values associated with nighttime lighting, reframing discussions as a debate over how we ought to preserve and protect the night sky, as well as protect ourselves and ecosystems, from excess artificial light. Dear Eng : Plis help me to repair tecno N6s lights by jumper Even dim light can interfere with a person’s circadian rhythm and melatonin secretion. A mere eight lux—a level of brightness exceeded by most table lamps and about twice that of a night light—has an effect, notes Stephen Lockley, a Harvard sleep researcher. Light at night is part of the reason so many people don’t get enough sleep, says Lockley, and researchers have linked short sleep to increased risk for depression, as well as diabetes and cardiovascular problems. What all definitions have in common—either explicitly or implicitly—is the goal of establishing a base upon which the negative effects of artificial nighttime illumination can be categorized. Toward this end, Gallaway’s definition opens us to the broader range of concerns embodied by the contemporary usage of the term—light pollution is not meant to condemn nighttime lighting as a whole, but rather specific uses and outputs of artificial lighting. These negative or undesired aspects of nighttime lighting can be subdivided into four categories: skyglow, glare, light trespass, and clutter.66. These four categories of light pollution are used (although with slightly different terms) by the International Dark-Sky Association, and cited elsewhere as well (e.g. Morgan-Taylor, 2014 Morgan-Taylor, M. (2014). Regulating light pollution in Europe: Legal challenges and ways forward. In J. Meier, U. Hasenöhrl, K. Krause, & M. Pottharst (Eds.), Urban lighting, light pollution and society (pp. 159–176). New York, NY: Taylor & Francis. [Google Scholar]). As such, I am accepting these as the standard causes of light pollution.View all notes Skyglow is light sent upward (directly or reflected) and scattered in the atmosphere, causing artificial ambient brightness and decreasing stellar visibility (Mizon, 2012 Mizon, B. (2012). Light pollution: Responses and remedies (2nd ed.). New York, NY: Springer.10.1007/978-1-4614-3822-9[Crossref] [Google Scholar]). This is the orange haze often seen above cities, and the largest burden for astronomy. It has also arguably been the dominant focus of efforts to quantify light pollution, as some landmark studies rely on satellite imagery (e.g. Cinzano, Falchi, & Elvidge, 2001 Cinzano, P., Falchi, F., & Elvidge, C. D. (2001). The first world Atlas of the artificial night sky brightness. Monthly Notices of the Royal Astronomical Society, 328, 689–707.10.1046/j.1365-8711.2001.04882.x[Crossref], [Web of Science ®] [Google Scholar]). The other three forms of light pollution are more commonly experienced hinderences in daily life: glare occurs when excessive brightness reduces visibility (e.g. a floodlight at eye level), light trespass is unwanted or unintended light (e.g. light shining into your bedroom window at night), and clutter is caused by over-illuminated clusters of light sources (e.g. signage and advertising) (IDA, 2014 IDA. (2014). International Dark-Sky Association. International Dark-Sky Association. Retrieved 15 January, 2015, from https://darksky.org/ [Google Scholar]; Morgan-Taylor, 2014 Morgan-Taylor, M. (2014). Regulating light pollution in Europe: Legal challenges and ways forward. In J. Meier, U. Hasenöhrl, K. Krause, & M. Pottharst (Eds.), Urban lighting, light pollution and society (pp. 159–176). New York, NY: Taylor & Francis. [Google Scholar]). 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