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Outages are usually repaired within five working days. If the fault is regarding the electricity supply to the light we inform the local electricity company who usually attend within eight working days of receiving report. Like light waves, water waves emerging from two sources interferes in the space surrounding the sources to produce a pattern of nodes and antinodes lying along lines. The diagram at the right represents the interference pattern created by two water waves. The waves were created by two objects bobbing up and down in phase at the same frequency. Point P on the pattern is a distance of 34.0 cm from S1 and 23.8 cm from S2. Determine the wavelength (in cm) of the water waves. For a comprehensive understanding of light pollution, contemporary discourse must be coupled with an exploration of the origins and emergence of the concept, which in turn requires a broad understanding of the development of urban nighttime lighting. Detailed historical studies into the technological innovations and social implications of artificial nighttime lighting have been published in the past few decades (e.g. Bowers, 1998 Bowers, B. (1998). Lengthening the day: A history of lighting technology. Oxford: Oxford University Press. [Google Scholar]; Ekirch, 2005 Ekirch, R. A. (2005). At day’s close: Night in times past. New York, NY: W. W. Norton & Company Inc. [Google Scholar]; Isenstadt, Maile Petty, & Neumann, 2014 Isenstadt, S., Maile Petty, M., & Neumann, D. (Eds.). (2014). Cities of light: Two centuries of urban illumination. New York, NY: Taylor & Francis. [Google Scholar]; Nye, 1990 Nye, D. E. (1990). Electrifying America: Social meanings of a new technology, 1880–1940. Cambridge: MIT Press. [Google Scholar]; Schivelbusch, 1988 Schivelbusch, W. (1988). Disenchanted night: The industrialization of light in the nineteenth century. (A. Davis, Trans.) London: University of California Press. [Google Scholar]). And, important studies on the social, economic, and legal aspects of nighttime lighting have also been published recently (e.g. Meier, Hasenöhrl, Krause, & Pottharst, 2014 Meier, J., Hasenöhrl, U., Krause, K., & Pottharst, M. (Eds.). (2014). Urban lighting, light pollution and society. New York, NY: Taylor & Francis. [Google Scholar]). The brief discussion below cannot do full justice to the in-depth explorations of nighttime lighting that these scholars have explored, nor to the various cultural and geographical nuances of historical developments in lighting. Rather, I would like to highlight the conditions within which light pollution arose, which puts us in a better position to assess our contemporary definition and ask how the framing of light pollution responds to the core problem discussed above. In particular, Sections 3.1 and 3.2 will highlight the shift away from how to light cities and, somewhat paradoxically, toward a desire for dark or natural nights. Put otherwise, i have problem with itel 1508 screen light problem Mr. H’s period 7 physics class is attempting to duplicate Thomas Young’s experiment in which they use a two-point source light interference pattern to measure the wavelength of light. They red shine laser light through a slide containing a double slit; the slit spacing is 0.125 mm. The light interference pattern created by the light which passes through the slits is projected on a screen a distance of 10.72 m away. Justin and Shirley measure the distance from the 3rd antinodal bright spots on opposite sides of the pattern to be 33.9 cm apart. Based on these measurements, what is the wavelength of the red laser light. Section 2 discusses the moral and political significance of framing problems, in relation to the novel environmental problem of excess artificial nighttime lighting in cities. Section 3 then analyzes the concept of light pollution in detail. Here, both the origins of the concept and its current manifestations are presented, in order to provide a more comprehensive understanding of light pollution. Section 4 returns to the question of how light pollution frames concerns and possible responses, and discusses two interrelated questions: the potential limitations of the concept as a normative or prescriptive tool, and the ambiguities and inconsistencies in its practical application that require clarification. Thus, first steps are taken in dissecting the ethical significance of the concept of light pollution and the role it can play in addressing the adverse effects of artificial nighttime lighting. Display light problem in an iPhone 5S normally occurs when your phone has encountered any kind of water damage. In such a condition your phone works normally, but it becomes really very hard for you to perform different functions on your phone, especially in sunlight, as it will become very problematic for you to perform different functions. Hence overcoming this issue is surely very important for you. Even more significantly, the word עָשָׂה (‘āśâ; “to do,” “to make”) is used specifically of the creation of the astronomical bodies in Genesis 1:16. The meaning of this verb is broader, semantically speaking, than בָּרָא, and may refer to acts of creative ingenuity by agents other than God. That being said, it is indisputably evident that עָשָׂה is commonly used to refer to the act of fashioning something out of already-existing material (for example, the creation of man in Genesis 1:26; cf. 2:7). Granted, such is not always the intended meaning, even with respect to the astronomical bodies (for example, compare Genesis 1:1 with 2 Kings 19:15; Isaiah 37:16; 66:22; Jeremiah 32:17). However, the use of עָשָׂה in the Day Four creation record apart from any contextual clues to suggest that it must bear the sense of creation out of nothing suggests that there is a distinct possibility that the making of the astronomical bodies was instead a matter of fashioning them from material previously created on Day One. Just as the description of the earth in Genesis 1:2 is of something unfinished that God returned over the next several days to shape and prepare, perhaps the matter that would become the astronomical bodies was created on Day One but was shaped on Day Four, whereupon God brought forth their light to the earth. Gaslight was followed by the invention of electric lighting in the latter half of the nineteenth century—the most profound technological development in lighting, and arguably one of the most important developments of modern infrastructure. Figuratively, electric lighting became synonymous with—and symbolic of—modern progress. For a Russian poet visiting New York City in the 1920s, the bright electric lights were perceived as modernity’s very medium (Isenstadt, 2014 Isenstadt, S. (2014). Good night. Places Journal. Retrieved 22 October, 2014, from[Crossref] [Google Scholar]). Aided by various technical advances, for example, floodlights, electric lighting quickly became a ‘sophisticated cultural apparatus’ that could be used for advertising, commemorating history, expressing civic pride, highlighting monuments, etc. (Nye, 1990 Nye, D. E. (1990). Electrifying America: Social meanings of a new technology, 1880–1940. Cambridge: MIT Press. [Google Scholar], p. 73). Via electrification, artificial nighttime lighting became, and remains, a prolific technological artifact capable of esthetic and ideological expression well beyond functional requirements.44. Neumann’s’ Architecture of the Night (2002a Neumann, D. (Ed.). (2002a). Architecture of the night: The illuminated building. New York, NY: Prestel. [Google Scholar]) is arguably the most important recent study of nighttime illumination in architectural history and theory, linking the history of nighttime lighting with the history of modern architecture. Neumann mainly focuses on the esthetic and expressive qualities of ‘illuminated buildings’ throughout the nineteenth and twentieth centuries, providing the first comprehensive catalogue of relevant architectural projects.View all notes Light pollution is artificial light introduced into the natural night, especially where it is not needed or wanted. This unwanted light appears Could this abnormally fast growth and development of plants on Day Three be anything like the pattern of making the astronomical bodies on Day Four? In my previous work on Day Four creation (Faulkner 1999), I had suggested such a rapid process, albeit without drawing the parallel to the creation of plants. The Day Three parallel can be very useful in solving the light travel time problem. The reason that plants made on Day Three could not develop at the rate that they normally do today is that they could not have performed their function of providing food on Days Five and Six. The quickest developing fruit require weeks or months, and trees require years to do this. In a similar manner, the stars could not fulfill their functions of marking seasons and days and years (v. 14) unless they were visible by Day Six. I propose that the light had to abnormally “grow” or “shoot” its way to the earth to fulfill this function. Notice that this is not the result of some natural process any more than the shooting up of plants on Day Three was. Instead, this is a miraculous, abnormally fast process. Rather than light moving very quickly, I suggest that it was space itself that did the moving, carrying light along with it. 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